{"id":11127,"date":"2010-04-22T09:56:44","date_gmt":"2010-04-22T14:56:44","guid":{"rendered":"https:\/\/setsail.com\/fpb-64-theory-reality\/"},"modified":"2016-05-02T15:14:47","modified_gmt":"2016-05-02T20:14:47","slug":"fpb-64-theory-reality","status":"publish","type":"post","link":"https:\/\/setsail.com\/fpb-64-theory-reality\/","title":{"rendered":"FPB 64 – Theory & Reality"},"content":{"rendered":"

FPB 64 – Theory & Reality<\/strong><\/p>\n

\"FPB-64-Sea-Trials300\"<\/p>\n

We are two weeks removed from sea trials on the FPB 64, Avatar, the Arizona desert is abloom with spring foliage, and the reality of the FPB 64 is slowly coming into focus.<\/p>\n

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By the time a new design is afloat and ready for trials we have invested so much energy in it that we almost don’t want to see the outcome. But curiosity and commitment always has us on hand for trials, normally with a degree of apprehension (although we have confidence in the design methodology used, mistakes are not unknown in this business).<\/p>\n

\"FPB-64-first-impressions-12-Edit\"<\/p>\n

There are four phases for us in getting to know a new design. The process starts with initial impressions. These are a comparison of what we see afloat and the 2D and 3D computer models with which we have been working. There is always an initial mental scorecard: we like some things, are not pleased with others, and are occasionally pleasantly surprised.<\/p>\n

\"FPB-64-first-impressions-21\"<\/p>\n

The second phase involves detail. During the first couple of days aboard we’ll make copious observations about small details that could be fine tuned the next time around. These are rarely noticed by builder or owner and we have learned that if we do not write them up early in the process, the information is soon lost in the overall impact of the design.<\/p>\n

The third phase takes time. We need to live with the boat for a week or two, hopefully in a cruising context, to see how the pieces fit together. Using the boat at anchor, moving her about, feeling the motion, maneuvering in tight spaces, even launching and retrieving the dinghy are part of this process.<\/p>\n

The final phase comes later. It takes a period of time away from the boat to digest all of the elements, and decide what we think of the outcome. It is these last thoughts that we want to share in this blog. We’ll start with some history and comments on the design goals.<\/p>\n

Design Provenance<\/strong><\/p>\n

The FPB 64 design is a continuation of a process that started 30+ years ago – the search for the perfect passagemaker. Although the FPB 64 looks a little different it shares a common set of goals with our Deerfoot, Sundeer, and Beowulf series of yachts. These are:<\/p>\n